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It’s an exclusive 30 oeuvres of Indian painter n.g.jhonzsonn, a pro feminist, whose art redefines the emphasis from the direct representation of nature to the world of the imagination. Instead of describing something with precise, realistic detail or stating

facts they used. his personal metaphors and symbols, abstracts have been evoking a meaning or feeling instead.  it's the way of the painting may be classified as symbolism offering an antidote, not only to scientific uncertainties, but to the materialism of industrial 'n' technological world.

  lilly vahayil

    curator,

managing director

 galleria

domestic torturing
domestic torturing

watercolour on paper 109 x 70 cm 2021

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obsessional suicide
obsessional suicide

watercolour on paper 70 X 56 cm 2014

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hidden psyche
hidden psyche

acrylic on stretched canvas 60 x 60 cm 2020

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ethnic atrocities
ethnic atrocities

acrylic on stretched canvas 121 x 91 cm april - 2021

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mutilated souls
mutilated souls

oil pastels on paper 98 X 83 cm jan - 2021

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dogmatized helplessness
dogmatized helplessness

watercolour on paper 109 x 70 cm september 2021

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nailed to roomscape wall
nailed to roomscape wall

acrylic on stretched canvas 44 x 33 cm 2011

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struggles of adolescence
struggles of adolescence

oil colour on stretched canvas 1997

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abused killings
abused killings

acrylic on stretched canvas 121 x 91 cm 2020

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sensual torsos
sensual torsos

oil on canvas 60 x 44 cm 1997

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surrendering without psyche
surrendering without psyche

oil on stretched canvas 2006

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entangled family life in covid
entangled family life in covid

acrylic on stretched canvas 121 x 91 cm

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exploited cadaver
exploited cadaver

acrylic on canvas board 2012

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fossilized womanhood
fossilized womanhood
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incest of primogenitor
incest of primogenitor

oil colour on canvas 2006

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ritualistic torturing
ritualistic torturing

watercolour on paper 109 x 70 cm july- 2021

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non psyche physiques
non psyche physiques

oil colour on canvas painting - knife work 1998

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crushed in calamity
crushed in calamity

acrylic on stretched canvas 121 x 91 cm 2021

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footprints of womanhood
footprints of womanhood

watercolour on paper

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glorified loneliness
glorified loneliness

acrylic on canvas painting-knife work 44 x 33 cm 2011

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hooked to slavery
hooked to slavery

watercolour on paper 109 x 70 cm sept - 2021

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indigence
indigence

acrylic on stretched canvas 121 x 91 cm

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victimized scapegoat
victimized scapegoat

acrylic on stretched canvas 121 x 91 cm

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mum 'n' suckling
mum 'n' suckling

oil on stretched canvas 1995

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angel on earth
angel on earth

oil on canvas painting-knife work 1996

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victimization for elation
victimization for elation

watercolour on paper 109 x 70 cm

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yesterday-today-tomorrow
yesterday-today-tomorrow

tempera on wide canvas 15 x 4 foot 2007

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necrophilia beyond instinct
necrophilia beyond instinct
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womanhood in hiroshima
womanhood in hiroshima

acrylic on stretched canvas 121 x 91 cm

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domestic slavery
domestic slavery

watercolour on paper 109 x 70 cm may - 2021

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painting therapy

painting therapy for the elderly 'n' differently abled children have been the subject of much interest in recent years. This is because of its apparent effect on the mental well-being of older adults, especially those with dementia. and intellectually different children.      .

painting therapy helps in expressing feelings, it can also help patients to regain their sense of freedom and control. People who cannot express their feelings can use painting therapy to show their emotions without any verbal communication.

it's combined with talk therapy, it can help people deal with strong emotions, increase self-awareness and self-worth and decrease stress and anxiety. painting therapy can involve a variety of creative expression including drawing, painting 'n' coloring...  

what is painting therapy?

The goal of painting therapy is to stimulate the body and mind alike through, as the name implies, artistic methods. It’s commonly used for seniors who have trauma, or illnesses such as Alzheimer’s. The use of art allows for an alternative method of communication for the elderly, especially when verbal speech is limited. Art is a more visual and sensory way for seniors to express themselves, and can help them lower stress, combat depression, feel a higher sense of well-being, and connect with memories they may otherwise have

forgotten.

painting therapy has proven to be a successful form of treatment for special children and kids with other behavioral, emotional or psychological issues. This type of therapy can be considered a psychotherapeutic service. It allows kids to express themselves in non-verbal ways through the use of art tools and supplies. This form of expression can tell a counselor many things. In fact, it provides a way for the child to communicate things they simply cannot say in words.

Children are encouraged to express their feelings through the art that they create in their session. In addition, they have the chance to learn social skills, gain cognitive growth, obtain coping mechanisms through the resolution of frustration and practice sensorimotor skills such as sensory stimulation and hand-eye coordination. In addition, practical skills are learned such as how to find and put away art supplies, ways in which to utilize certain tools and the importance of putting away their supplies and cleaning themselves up.

What are the Benefits of painting Therapy for Seniors and children with special needs?

The previously mentioned study, which took place at the Montreal Museum of Fine Arts, noted a higher quality of life for seniors participating in art therapy. Some positive effects of art therapy may include:

  • Reducing stress, confusion, and lowering the risk of depression;

  • Coping with traumatic memories through artistic expression;

  • Increasing cognitive function, and triggering previously forgotten memories;

  • A decrease in frailty and an increase in physical ability (creating art helps promote coordination, also decreases pain from diseases such as Arthritis)

  • Promoting a sense of accomplishment for seniors by creating something themselves;

  • Helping a senior learn to effectively use their hands when dealing with pain, through art projects such as knitting, painting, and drawing;

  • Promoting communication: elderly persons who have difficulty expressing themselves through verbal or written language may find art useful for connecting with loved ones, helping to reduce feelings of isolation and loneliness;

  • Certain types of art may remind the elderly of their younger years;

  • Restoring many mental and physical functions, while providing a general sense of well-being.

  • Helped reduce pain, decrease symptoms of stress and improve quality of life in adult cancer patients.

  • stimulated mental function in older adults with dementia.

  • Indicated a reduction in depression in Parkinson's patients.

  • studies on art’s effects on the brain are limited. however, researches suggest that artistic engagement may help to ease common behavioral symptoms of dementia like anxiety, agitation and depression. It may also boost mood and self-esteem, and possibly help stimulate memory. by having a beneficial effect on those with Alzheimer’s, caregivers may find relief as well.

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  • n.g.jhonszonn

  • www.arteffusionsglobal.org/blank

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NOV 25 -International Day for the Elimination of Violence Against Women

the theme of the day is 'Orange the World: End Violence against Women Now!'

it's celebrated every year on November 25. According to the United Nations, violence against women and girls (VAWG) manifests in several forms. From violence inflicted by an intimate partner to human trafficking and child marriage, there are several forms that cause trauma to women and girls across the world. 

The Declaration on the Elimination of Violence Against Women was issued by the UN General Assembly in 1993 and it states that violence against women is "any act of gender-based violence that results in, or is likely to result in, physical, sexual or psychological harm or suffering to women, including threats of such acts, coercion or arbitrary deprivation of liberty, whether occurring in public or in private life. "

Orange the World: End Violence against Women Now!

This year, the theme of the day is 'Orange the World: End Violence against Women Now!' Orange is a colour that represents a brighter future that is free of violence against women and girls. 

The UN states that nearly 1 in 3 women have been abused in their lifetime. According to a UN report, since the pandemic, 2 in 3 women have experienced some form of violence and are more likely to face food insecurity. The UN report, which compiled the data of 13 countries, added, "Only 1 in 10 women said that victims would go to the police for help. "

Some women are more vulnerable than others:

The UN says, "While gender-based violence can happen to anyone, anywhere, some women and girls are particularly vulnerable - for instance, young girls and older women, women who identify as lesbian, bisexual, transgender or intersex, migrants and refugees, indigenous women and ethnic minorities, or women and girls living with HIV and disabilities, and those living through humanitarian crises. "

Approximately 6,000 girls are subjected to female genital mutilation each day, and 30 percent of girls subjected to its most radical form die from the effects. Four million women are sold each year as slaves. In sub-Saharan Africa, 55 percent of HIV-infected adults are women, and teenage girls are five times more likely to be infected than boys. These numbers, gathered from a variety of sources and published by Global Women, an organization that supports the global ministry of women, are only the tip of an iceberg adrift in developing countries across the world.

The reality is grim. Women around the globe face problems like poverty, lack of education, lack of medical care, female genital mutilation, sex slavery and trafficking, female infanticide, the AIDS crisis, honor killings, dowry killings, a low value in Hindu and fundamental Muslim societies, abuse and displacement in war and, where employment is even available, poor working conditions.

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When one is born with a creative gift, that creativity flows into many different areas. For example, Picasso was a painter, sculptor, ceramicist, poet, and playwright.

Art came about long before written works. Since the beginning of time, art has communicated ideas and kept records of important events. Art offers a connection to the past. Artists record our history, indelibly. They also unearth truths. Through their work, they tell stories and pass on traditions. Artists have a unique way of connecting to the people around them. In a world full of bad news, one of their most important roles is to offer messages of hope.

You don't have to be talented to attend art therapy

Do remember that painting therapy sessions are for anyone and one need not know anything related to art to attend these sessions. Also, in painting therapy, various forms of art are used as a mode of communication and it's different for every individual. With this, the goal isn't to create a masterpiece but to feel comfortable with using art as a means to interact other than verbal and written forms of communications.

painting therapy is known to help those who have faced traumatic incidents. Through this, people suffering from anxiety, eating disorders, and substance abuse can also get a better understanding of themselves. Individuals, who lack social skills, may also benefit from this therapy. Notably, art therapy is often used along with other forms of therapy to treat individuals suffering from mental and emotional disorders.

not making them a painter; whereas this mode of expression can be turned to some oeuvres.

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painting therapy is used with children, adolescents, adults, older adults, groups, families, veterans, and people with chronic health issues to assess and treat the following: anxiety, depression, and other mental and emotional problems; substance abuse and addictions; family and relationship issues; abuse and domestic violence; social and emotional difficulties related to disability and illness; trauma and loss; physical, cognitive, and neurological problems; and psychosocial difficulties related to medical illness.

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efficacy of painting therapy

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 Therapy is capable of promoting self-expression, feelings, and emotions.

 It has an ability to facilitate positive perspectives on one’s life.

 It is capable of promoting a sense of personal independence, self-reliance, and self-sufficiency.

 Therapy has an ability to help a child work through difficult experiences.

 It allows a child to verbally and nonverbally communicate emotions that might otherwise be   abandoned or sealed from society.

 Therapy instills constructive techniques to self-manage.

 It can increase one’s awareness and orientation (i.e. persons, places, dates, and times)

 It is capable of facilitating and developing strategies for hand-eye coordination, fine and        gross   motor skills, and finger dexterity and speed.

It encourages the development of healthy coping strategies.

Therapy can facilitate insight, empathy, and acceptance of other’s life challenges.

It is capable of promoting problem-solving skills.

Art therapy is capable of exploring, managing, and providing insight into traumatic experiences.

A child receiving therapy is encouraged to develop interpersonal skills

Therapy empowers and gives a voice to those receiving therapy. It is capable of helping a child increase their attention-span, while decreasing any festering frustrations.

 

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By the age of thirty, Dürer had completed or begun three of his most famous series of woodcuts on religious subjects: The Apocalypse (1498; 19.73.209, 18.65.8), the Large Woodcut Passion cycle (ca. 1497–1500), and the Life of the Virgin (begun 1500). He went on to produce independent prints, such as the engraving Adam and Eve (1504; 19.73.1), and small, self-contained groups of images, such as the so-called Meisterstiche (master engravings) featuring Knight, Death, and the Devil (1513; 43.106.2), Saint Jerome in His Study (1514), and Melencolia I (1514; 43.106.1), which were intended more for connoisseurs and collectors than for popular devotion. Their technical virtuosity, intellectual scope, and psychological depth were unmatched by earlier printed work.

More than any other northern European artist, Dürer was engaged by the artistic practices and theoretical interests of Italy. He visited the country twice, from 1494 to 1495 and again from 1505 to 1507, absorbing firsthand some of the great works of the Italian Renaissance, as well as the classical heritage and theoretical writings of the region. The influence of Venetian color and design can be seen in the Feast of the Rose Garlands altarpiece (1506; Národní Galerie, Prague), commissioned from Dürer by a German colony of merchants living in Venice. Dürer developed a new interest in the human form, as demonstrated by his nude and antique studies. Italian theoretical pursuits also resonated deeply with the artist. He wrote Four Books of Human Proportion (Vier Bücher von menschlichen Proportion), only the first of which was published during his lifetime (1528), as well as an introductory manual of geometric theory for students (Underweysung der Messung, 1525; 125.97 D932), which includes the first scientific treatment of perspective by a northern European artist.

Dürer’s talent, ambition, and sharp, wide-ranging intellect earned him the attention and friendship of some of the most prominent figures in German society. He became official court artist to Holy Roman Emperors Maximilian I and his successor Charles V, for whom Dürer designed and helped execute a range of artistic projects. In Nuremberg, a vibrant center of humanism and one of the first to officially embrace the principles of the Reformation, Dürer had access to some of Europe’s outstanding theologians and scholars, including Erasmus (19.73.120), Philipp Melanchthon, and Willibald Pirkheimer, each captured by the artist in shrewd portraits. For Nuremberg’s town hall, the artist painted two panels of the Four Apostles (1526; Alte Pinakothek, Bayerische Staatsgemäldesammlungen, Munich), bearing texts in Martin Luther’s translation that pay tribute to the city’s adoption of Lutheranism. Hundreds of surviving drawings, letters, and diary entries document Dürer’s travels through Italy and the Netherlands (1520–21), attesting to his insistently scientific perspective and demanding artistic judgment.

The artist also cast a bold light on his own image through a number of striking self-portraits—drawn, painted, and printed. They reveal an increasingly successful and self-assured master, eager to assert his creative genius and inherent nobility, while still marked by a clear-eyed, often foreboding outlook. They provide us with the cumulative portrait of an extraordinary Northern European artist whose epitaph proclaimed: “Whatever was mortal in Albrecht Dürer lies beneath this mound.”